The French Dispatch, from Director Wes Anderson. Shot on Kodak 35mm color and B&W film stocks, by regular cinematographer Robert D. Yeoman ASC, Anderson’s next and highly-anticipated comedy.
Yeoman shot The French Dispatch with ARRICAM ST and LT cameras, fitted with Cooke S4 prime lenses, supplemented with an occasional zoom, framing most of the action in Academy 1.37:1 aspect ratio.
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